Welcome to Spannered’s music feature and review archive. What’s in here then? Well, since the site was launched in 2006, Spannered has run in-depth interviews with globetrotting tastemakers Kode9DJ Ripley and Maga Bo, tripped over to Barcelona's Sónar festival, fallen over at the first ever Bloc Weekend, toured New York's global music circuit and gotten tinnitus in Bristol and São Paulo.
 
Spannered's archive stretches all the way back to 2000, however. Have a dig about and you'll unearth interviews and features with Jeff Mills and Photek, write-ups of Cat Power and Caribou gigs, and album reviews spanning Aphex Twin to NoMeansNo.
 
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Tracks by The Advent are to DJs what planks are to builders: useful, solid, a bit hard, rather uninteresting on their own but perfect as the...
I have to admit I approached this album with a level of suspicion that I certainly wouldn’t have had if the press release hadn’t been...
This release dubs itself ‘a highly evocative soundtrack to an imaginary Western’, which cites as its musical touchstones composers such...
Rodney Smith returns for a fourth album on Big Dada, the label from which he has become inseparable. While Awfully Deep showed a...
Ewan Pearson is otherwise known as Maas, who debuted with Latitude on Soma in 1997. Since then he has carried out remix duties for a number...
Suction's engagement with a retro synth-pop sound predates the last two years burgeoning rise of this re-visited genre, however these two...
Bizarre, but oddly impressive stuff from one Mike Silver, here on The Underdog's notably leftfield label. Molten Timbre sets the tone, a...
The latest installation in the series of Solid Steel mixes has the Herbaliser at the controls for an adeptly put together journey through...
Anyone remember when drill & bass was coined as a subgenre of electronic music back in the 90s? It was basically an attempt to...
This is a double compilation showcasing the highlights from this year's episode of the world's most important and influential electronic music...
Described as 'acousmatic' music (like… whatever), Sonars is audio-experimentation given a wide vision, more so than the usual...
Is Luke Vibert the Carol Vorderman of electronica?
This album is a prime example of why I believe that Planet Mu is one of the best record labels around. The output is always of fantastic quality,...
Although of clear benefit to bedroom-twiddlers around the world, the affordability of compositional software is something of a double-edged skillet....
From Luca Santucci’s opening lament you know that Spokes is not going to be a cheery album. That’s no bad thing, I hear you cry...
Reviewing records I imagine is like exploring caves; you shine your light in and are never quite sure what you are going to find. Often you feel...
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